Choosing a palette that actually photographs well
Why the colours that look best in the room are not always the ones that survive a camera, and how to pick for both.
The Journal
Notes from the studio — what things cost, how the weeks actually run, and the thinking behind the rooms we build.
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The design is the easy part. Getting three trucks up a heritage road before dark is the actual job.
Read the pieceWhy the colours that look best in the room are not always the ones that survive a camera, and how to pick for both.
A month-by-month sequence that keeps decisions in the right order — and stops the expensive ones being made last.
Where the money really goes, which line items are always underestimated, and the three things worth overspending on.